Probably the most famous male dancer in my lifetime was Rudolph Nureyev. I consider myself extremely fortunate to have been able to follow his career. He was born to dance and to share his magnificent talents with the world.
Born March 17th 1938 in Russia
Died January 6th 1993 in France
Nureyev was born on a Trans-Siberian train near Irkutsk, Siberia, Soviet Union, while his mother Feride was travelling to Vladivostok, where his father Hamit, a Red Army political commissar, was stationed. Nureyev auditioned for the Bolshoi ballet company and was accepted. However, he felt that the Kirov Ballet school was the best, so he left the local touring company and bought a ticket to Leningrad.
By the late 1950s, Nureyev had become a sensation in the Soviet Union. Yet, as the Kirov Ballet was preparing to go on a European tour, Nureyev's rebellious character and a non-conformist attitude quickly made him the unlikely candidate for a trip to the West, which was to be of crucial importance to the Soviet government's ambitions to portray their cultural supremacy. However, in 1961, the Kirov's leading male dancer, Konstantin Sergeyev, was injured, and Nureyev was chosen to replace him on the Kirov's European tour. In Paris, his performances electrified audiences and critics.
Nureyev's first appearance in Britain was at a ballet matinée organised by The Royal Ballet's Prima Ballerina Dame Margot Fonteyn. The event was held in aid of the Royal Academy of Dance, a classical ballet teaching organisation of which she was President. He danced Poeme Tragique, a solo choreographed by Frederick Ashton, and the Black Swan pas de deux from Swan Lake.
Dame Ninette de Valois offered him a contract to join The Royal Ballet as Principal Dancer. His first appearance with the company was partnering Margot Fonteyn in Giselle on 21 February 1962. Fonteyn and Nureyev would go on to form a partnership. Nureyev stayed with the Royal Ballet until 1970, when he was promoted to Principal Guest Artist, enabling him to concentrate on his increasing schedule of international guest appearances and tours. He continued to perform regularly with The Royal Ballet until committing his future to the Paris Opera Ballet in the 1980s.
Nureyev's influence on the world of ballet changed the perception of male dancers; in his own productions of the classics the male roles received much more choreography. Another important influence was his crossing the borders between classical ballet and modern dance by performing both. Today it is normal for dancers to receive training in both styles, but Nureyev was the originator and excelled in modern and classical dance.
The Genius of Nureyev.
You Live as long as you Dance
Rudolph Nureyev

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